The Blind Side — Love & Charity

Film:

The Blind Side, 2009

Starring Sandra Bullock, Tim McGraw, Kathy Bates, and Quinton Aaron.

Synopsis:

The story of Michael Oher, an homeless and traumatized boy who became an All American football player and first round NFL draft pick with the help of a caring woman and her family.

My Thoughts:

What makes this movie so amazing is that it is based on a true story.  It is a story of what happens when people actually choose to live out their religious beliefs, when they take action. So often we see news of religious conflict, but it is really comforting to see when religion can be a source of inspiration for people to commit amazing acts of kindness and love beyond expectations.

This story began when a Christian private school was counseled to live up to the name Christian and help the struggling, homeless Michael Oher to attend.

What good is it, my brothers, if a man claims to have faith but has no deeds? Can such faith save him? Suppose a brother or sister is without clothes and daily food. If one of you says to him, “Go, I wish you well; keep warm and well fed,” but does nothing about his physical needs, what good is it?In the same way, faith by itself, if it is not accompanied by action, is dead  ~ James 2:14-17

Leigh Ann Touhy and her family took it to the next level when they took Michael Oher in, fed him, clothed him, and helped him to succeed. And in doing so they learned to better appreciate the luxury they had taken for granted, as well as time with each other as a family, which prior to meeting Michael they had not.

O SON OF MY HANDMAID! Guidance hath ever been given by words, and now it is given by deeds. Every one must show forth deeds that are pure and holy, for words are the property of all alike, whereas such deeds as these belong only to Our loved ones. Strive then with heart and soul to distinguish yourselves by your deeds. In this wise We counsel you in this holy and resplendent tablet. ~ Bahá’u’lláh

What Michael went through many more people in society go through then we would care to admit.  But unlike Michael often these people do not receive a helping hand.  Instead those in healthy, wealthy communities isolate themselves.  How can we as a society work to eradicate poverty, to provide opportunities for all?  How can we overcome our fears?  Especially when they are legitimate, like living in a place of violence.

Michael had developed a coping mechanism for dealing with living in an unsavory situation, full of drugs, addiction, violence, and crime.  He closed his eyes.  He closed his eyes and waited for the problem to dissipate so that when he opened them again the world would be bearable.

O MAN OF TWO VISIONS! Close one eye and open the other. Close one to the world and all that is therein, and open the other to the hallowed beauty of the Beloved. ~ Bahá’u’lláh

I think this is something we can all learn from.  All the bad things in life can be overwhelming, especially if we focus on them.  If instead we close our eyes to them, and instead open our eyes to the beauty in the world we can move from that darkness to light.  I am not saying we just ignore the bad, but instead try to transcend it and not let it bring us down.  Michael was able to do that.  He could have been to proud to accept the help of the Touhys but he wasn’t.  He opened his eyes to their love and chose it over the path he could have taken.

If I speak in the tongues of men and of angels, but have not love, I am only a resounding gong or a clanging cymbal. If I have the gift of prophecy and can fathom all mysteries and all knowledge, and if I have a faith that can move mountains, but have not love, I am nothing. If I give all I possess to the poor and surrender my body to the flames, but have not love, I gain nothing.

Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres.

Love never fails. But where there are prophecies, they will cease; where there are tongues, they will be stilled; where there is knowledge, it will pass away. For we know in part and we prophesy in part, but when perfection comes, the imperfect disappears. When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. Now we see but a poor reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.

And now these three remain: faith, hope and love. But the greatest of these is love. ~ 1 Corinthians 13


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Groundhog Day — The Day That Never Ends

Film:Groundhog Day Movie Poster

Groundhog Day, 1993

Starring Bill Murray and Andie MacDowell

Synopsis (from NetFlix):

In this offbeat comedy from director Harold Ramis, self-centered TV weatherman Phil Connors (Bill Murray) is sent to Punxsutawney, Pa., to cover the groundhog’s annual appearance. Loathing the event, Connors unleashes his bitterness on his producer (Andie MacDowell) and cameraman (Chris Elliott). The next day, however, Connors finds he’s doomed to repeat Groundhog Day — again and again — until he learns that his actions can affect the outcome.

My Thoughts:

First I would like to thank a reader for suggesting I review this film.  I decided to wait until Groundhog Day as it is only fitting.  Groundhog Day is an American tradition, and more particularly a Pennsylvanian one at that, so I was not suprised when I looked for the movie poster to find that in French the title was translated as “Un Jour Sans Fin” loosely “The Day without end”.  I liked that title since it more aptly describes the content of the film, but I am glad this film is about and titled  Groundhog Day, since it has now become a semi-annual tradition to watch it (it is that good).

This film addresses many spiritual concepts through the amazing humor of the Bill Murray/Harold Ramis team.  Weatherman Phil Connors starts off as a bitter, frustrated man, one whom even the audience would not sympathize akin to Scrooge (another Bill Murray role interestingly enough).  He has made it known that he hates Punxsutawney and Groundhog Day and instead of holding that in, he unleases his annoyance on everyone from his coworkers to the friendly Bed and Breakfast owner.  He gets his comeuppance though, when he is doomed to relive the day over and over.

I love this settup because it is something we all frequently face.  When we are unhappy or displeased is it really fair or just to try to make everyone else around us miserable as well?  Yet sometimes we do just that.  It is not endearing.  It does not make us truly feel any better because the circumstances that influenced our mood have not changed.  Instead it makes it harder for our fellow people.  And in doing that we lose their sympathy.

Phil Connors did just that in Groundhog Day, so when he woke up to relive the day all over he was stuck with the situation as it was and had to live with it.  There was no choice.  Is that not how life is every day?

At first Phil was disbelieving, and then he was downright depressed.  He tried committing suicide a myriad of ways only to wake up again the morning of Groundhog Day.  Again, this really intrigues me because suicide is a topic so scary, sad, yet fascinating.  The World Religions council against it, but since we all do not truly know what happens after death we can never truly understand the consequences of this action.  In this film it was moot, it did not help at all.  In others, like Wristcutters which I will review in the future, the consequence was to return to a world just like ours except that the soda is always flat and people couldn’t smile.

Phil also tried stealing cars and robbing banks, but that too did not make the day go away.  Finally he set about to capture the heart of his producer Rita.  This was not an easy task considering how awfully he had treated her before.  He had to transform himself.  Again, a spiritual notion, for what is the purpose of religion if not transformation?

At first his attempts to change are superficial.  He tries to learn things about her, like her love of poetry and her favorite ice cream flavor, so that he can charm her but he still is manipulative which is not part of a noble character, which both she and God/the Fates/the Universe can see through.

It is when he began to think of others instead of himself that life began to change.  He would save a boy from falling out of a tree, and tried hard to save an old homeless man from dying.  He cultivated the talent of piano playing, and auctioned himself off for charity.  He apologized to people he had wronged. – things he never would have done the “first” Groundhog Day.

And in the end he did win the girl, and he did finally wake up on February 3rd, and throughout the process he made both his world and the world around him better.

“The betterment of the world can be accomplished through pure and goodly deeds and through commendable and seemly conduct.” ~Bahá’u’lláh

This is something we can all do.  It isn’t fiction.  It isn’t “just another movie” but an expression of something I think is much more fundamental.  We worry about World Peace, but is this not the path to it?  Each person doing their small part to improve, however meagerly, themselves and in doing so, the world around them.


Your thoughts?

The Wedding Dress (TV) — Hope and Expectations

Film:The Wedding Dress DVD Cover

The Wedding Dress (TV), 2001

Starring Neil Patrick Harris, Tyne Daly, Margaret Collin, and Kathryne Dora Brown.

Synopsis (From NetFlix):

A beautiful wedding dress moves throughout the six degrees of separation when it ends up in the hands of six different brides-to-be and changes their lives forever in ways they could never have expected. Tyne Daly and Neil Patrick Harris (television’s “Doogie Howser”) star in a romantic drama that’s perfect for Valentine’s Day … or any day.

My Thoughts (The first half is spoiler free and I give fair warning when it changes):

The first thing I would like to talk about is prejudice and expectations.  When I got this movie off Amazon as a gag gift for my sister (who loves Neil Patrick Harris) I did not expect to actually like it.   It’s a made-for-TV movie after all!  And a schmalzy looking one at that!  But I was wrong.  This movie is amazing, and wonderful, and touching, and fully deserving of a second viewing.  I highly recommend it and luckily it is available through NetFlix (or my sister if you know her and she’s willing to lend it to you).

I may sound tongue in cheek, but this actually is a big lesson for me.  Prejudice can be destructive and I could have easily never watched this beautiful film because of mine.  We often speak of the big prejudices like racism and sexism and xenophobism, but I think the little prejudices can creep up on us all and keep us from both fully enjoying life and from creating a more perfect and unified world.  Prejudice can keep us from thinking we have something to learn.

“For a period of six thousand years history informs us about the world of humanity. During these six thousand years the world of humanity has not been free from war, strife, murder and bloodthirstiness. In every period war has been waged in one country or another, and that war was due to either religious prejudice, racial prejudice, political prejudice or patriotic prejudice. It has, therefore, been ascertained and proved that all prejudices are destructive of the human edifice.”   ~ ‘Abdu’l-Bahá

Ok, so that quote was about the big prejudices, but the last line says “all prejudices are destructive”.  I rest my case, now onto the actual movie.

::Spoilers may leak out beyond this point::

The film begins with letters written between a soldier and his fiancee during World War II.  She finds out he is being sent home soon and wants to marry her the moment he arrives so her family makes her a wedding dress.  She dons it on the expected day but unfortunately a messenger arrives instead bestowing tragic news.  The no-longer-bride-to-be places the dress in a trunk, but not before blessing it to help a woman find the happiness in marriage she was unable to.

Yes, that takes place in less than five minutes and already I was in tears.  However it also made me think.  This woman had all the reason in the world to curse God and the world for breaking her heart, yet she was able to practice grace and to wish happiness on others despite tragedy.  I can understand why the soldier fell in love with her.  That really is a character trait many aspire to in times of crisis, though we all can fall short.

After this we are transported to present day.  Travis Cleveland (Neil Patrick Harris), A grand-nephew is about to get married and would like his bride to wear the dress.  However she would rather wear some trendy designer thing than the outdated period dress with history and love sown in.  (Ironically the dress pictured on the cover is the trendy thing… oh marketers…)  While the dress itself is important to Travis, what is more important is the discovery of his future bride’s dishonesty, materialism, and vanity.   Not only was she not willing to wear the dress, which could have been overlooked (especially since brides can be stressed out and want things to be perfect) but she lied about it and in the argument that followed even bigger lies were revealed.

Again a lesson for us all to ponder.  We may think “It’s just a silly dress” but through it character was revealed.  How often does this happen in life?  Something seemingly insignificant shows to us or the world our true character.  And I don’t just mean negatively, but positively too.  People exhibit detachment, or ego, generosity or dishonesty over “small” things everyday.  Much like my earlier aside on prejudice, we can learn a lot from these smaller acts.

Luckily for us viewers we do not have just one or two stories to learn from, but six!  And all of them deal with learning and growth as well as love.  But not the typical “hollywood” love, all glitter and no substance, but love proved through deeds.  One couple endeavors to make ends meet through sacrifice and hard work, both putting the other first albeit comically.  Another couple struggles as the future husband learns to become responsible in order to win the heart of his bride who is skeptical that he does not know how serious marriage is.  In a third story a widower and a divorcee learn about second chances, overcoming grief and anger, and learning to trust again.  In another a feud is set right when two people learn to overcome their differences and forgive one another.

There is neither time to go into each of these stories, nor would I want to ruin them but I would like to say that this is a wonderful movie to view when thinking about preparing for marriage.  While it seems to be about the dress, it’s what’s underneath that counts. It is the interactions of the characters, and the virtues they exhibit and develop throughout their trials.  Patience, steadfastness, flexibility, hardwork, forgiveness, loyalty, resilience, fellowship, and love… I could put this film in every category!

So do yourself a favor and watch this movie!  It’s heartwarming and perfect for Valentine’s Day or the New Year when you want to travel through 6 journeys of love.

“Be to each other as heavenly lovers and divine beloved ones dwelling in a paradise of love. Build your nest on the leafy branches of the tree of love. Soar into the clear atmosphere of love. Sail upon the shore less sea of love. Walk in the eternal rose garden of love. Bathe in the shining rays of the sun of love. Be firm and steadfast in the path of love. Perfume your nostrils with the fragrance from the flowers of love. Attune your ears to the soul-entrancing melodies of love. Let your aims be as generous as the banquets of love, and your words as a string of white pearls from the ocean of love. Drink deeply of the elixir of love, so that you may live continually in the reality of Divine love.” ~Abdu’l-Baha

The Man in the White Suit — Innovation, Fear, and Greed.

Film:

The Man In The White Suit Movie Poster

The Man in the White Suit , 1951

The Man In The White Suit Movie Poster

Starring Alec Guinness and Joan Greenwood

Synopsis:
This film is a story of an altruistic inventor, Sidney Stratton (played by Sir Alec Guinness) who has discovers a fabric that will never get dirty, and never wear out. He is determined to bring this fabric to market, however both the textile factory workers (the proletariat) and business executives (the capitalists) see it as a threat that will eventually put them out of business. This film brings up questions regarding the nature of innovation, who benefits, and who is harmed, as well as the factors that impede it (namely greed and fear).

Aside: If you haven’t seen this film, which is probably the majority of people, and you want to I recommend you fast forward until Sidney Stratton discovers the miracle cloth. Until that point the plot is very slow and muddled, but the second half is great and is where all the conflict, drama, and moral questions occur.

Thoughts:

I would like everyone reading this post to imagine the implications of Sidney Stratton’s miracle cloth. Think about it. If a cloth never got dirty, and never wore out, it would never need replacing. That means that time and energy and resources would be saved in not having to clean or replace your clothing. However, on the flip side jobs would be lost, and production would go down having (what I see as a temporary) negative effect on the economy. What would be the moral thing to do in this situation?

To market the cloth that could potentially allow people to be free from wasting resources to clothe themselves, aiding the consumer, or to prevent the cloth from going to market to protect the workers and the industrialists? I see it as the former case, since both the workers and industrialists can adjust over time to produce something else that is needed. In the short term it would probably first be good for the industry as it could be marketed at a higher price, but then could be disastrous for the industry if people decided they no longer needed new clothes and demand went down (though honestly, how many of us have many more clothes that we need because we like them stylistically?).

The capitalists and workers have parallel discussions regarding the cloth midway through the film. Both are initially pleased by it, thinking it a wonder, before realizing the personal implications on their future. The workers fear job loss, and the industrialists exhibit signs of greed. In the beginning of the discussion between Textile Mill owners, Birnley, the owner of the plant in which Stratton worked and made the discovery asserts that “Some individuals will suffer temporarily, but I will not stand in the way of progress.” He then points out inventions like the Cotton Gin, which changed the way textile manufacturing worked. He argues this would be the “greatest step forward” but another industrialist counters “over a precipice.” This latter Capitalist argues that the prior innovations increased production, whereas this would decrease production and therefore cripple the industry, and that’s when Birnley’s mind is swayed.

Outside, the workers look at Stratton’s brilliantly white new suit, some praising it, while others look on cynically arguing that owners would never go for it. One quips, “What do you think happened to all the other things? The razor blade that doesn’t get blunt? The car that runs on water with a pinch of something else?” indicating that they never were produced, they stayed figments of the imagination.

This line brings up the point that this tale is truly an allegory and any innovation could be substituted for this “miracle cloth”. In fact the film was prescient, in that 50 years later a documentary would be made on exactly how Industry Leaders (and others who benefited from the status quo) prevented another innovation from occurring. That film was called Who Killed The Electric Car? This premise is no longer a work of fiction.

In fact, at the end of The Man In The White Suit, it turns out the miracle cloth was unstable and ended up disintegrating, ending the threat. So in reality, it was just the prospect of change that caused all the panic- the worker strikes; the industrialists kidnapping and attempting to bribe Stratton; and the angry mob chasing him down and threatening his life.

This brings me to the spiritual implications of the film. Our hero, Stratton, holds many noble qualities. He is altruistic, he is committed to knowledge, he does not care about pay or credit for his findings, and in fact is willing to share the credit. However he is naïve. In fact, by the end of the film there are only two people on his side, the main female character Daphne, Birnley’s daughter (played by Joan Greenwood), and a little girl of about 7, indicating that only the innocent and idealistic truly have humanity and not their own self interest at heart.

Can we truly not be self-interested? Or at least can we not be short-sighted and think of the longer term benefits? In the long term the cloth (or the electric car, or whatever else) can better society, but in the short term it takes so much effort for the individual to fight the interests of those “in charge”.

In fact, one could look at the founders of major world religions to see how people react to change, even positive change, which they do not understand. Jesus was crucified for bringing a new message, and Bahá’u’lláh was imprisoned and exiled for forty years for ushering in a new day. Or if you are into politics you could look at the Progressive movement during either turn of the century and the recent US election of Barack Obama.

On that I will end with a quote from Bahá’u’lláh which counsels us regarding insight and greed:

“O children of understanding! If the eyelid, however delicate, can deprive man’s outer eye from beholding the world and all that is therein, consider then what would be wrought if the veil of covetousness were to descend upon his inner eye. Say: O people! The darkness of greed and envy becloudeth the radiance of the soul even as the clouds obstruct the light of the sun.”

~ Bahá’u’lláh, from The Tabernacle of Unity